kennedy square.

The Kennedy Square apartment complex in proximity to downtown Syracuse was a project that featured community development initiatives. The client, a bio-research center bought the defunct apartment block and wanted the surrounding area to be the spark for urban renewal.

The concept for my design was based on a modular form- Johnson Solid 21, which is most visible in the shape of the proposed community center. This conceptual form also generated the mixed use housing as well as the areas many open spaces. I had felt at the time that using a modular form would be a way for urban renewal to be replicated through out an area. Since the completion of the project, I now know that this is not the best way of going about a redesign of a community such as this example. A better way of thinking about it is through understanding how a community has grown over time.

Sketch of the touch and sensory garden

Regardless this is the design that I had gone with...so lets talk about it. The above section perspective shows, from left to right, the community center, sensory garden, and dog park. The community center and associated lawn area was dedicated to Emmanuel Breland a resident of the Kennedy Square apartments and the first African American in Syracuse to win a sports scholarship to Syracuse University. The touch and sensory garden featured two types of enclosures to maximize sensory awareness. Finally the dog park was to give an outlet to another type of potential user, at the time when I had suggested this amenity no one in studio could show me where a dog park in Syracuse could be found.

Section through the parking garage

Going further in to the picture to the left is a single story parking garage with roof top access. I had proposed that the parking structure have a green roof so that there could be the option for community gardening activities. Within the parking garage infrastructure would be cisterns that could collect gray water. The red brick buildings at the end of the sports field are mixed use structures; where the first floor is store front, the second is office space, and the third story is studio apartments. One feature of the store fronts is the inclusion of a zip car hub.

The picture to the left represents a section through the corner of Crouse and Water street this is the location of the Connective Corridor bus line. The plantings were to represent a successive growth pattern building up to the Crouse main street district. Pictured below is a section of the gray brick buildings which are for single families.

bear with me.

While school might be winding down the work load is ramping up. I am organizing my time so that a new posts or two will show up this weekend.

focusing on the regional food shed.

 When studio resumed after spring break our group goal for the intermittent review was to have a set of four interviews from farmers that was feasible for us to cover as main components of a food shed; agricultural production and dairy processing/distribution. 

(Image to be produced)

While there are many more components to a food shed we chose these because this is where previous semesters work within the studio has been heading towards. To clarify this remark other graduate and under graduate students from previous semesters have completed work on food sheds with topics such as production/distribution for local and imported apples and apple based products, milk production and distribution and general food shed delineation.

Our group arranged interviews with four farms that have dug deep roots into the Central New York community. Bob Evans- the yogurt and milk creator, Guy Vasta- the muck/onion farmer, Pete Holmes- the dairy cattle farmer, and Tony Emmi the crop farmer.

While I attended three of the four meetings when it came down to it I had decided to tackle Tony Emmi's farms' narrative.

food for thought.

These are some articles I have recently read that have an underlying esoteric quality to them. In society there are trends that effect our thinking patterns and and providing there is a forum to share these ideas we as a collective can begin to shape ideas in to realities. Think the noosphere meeting the book The Tipping Point: How Little Things Can Make a Big Difference.

• How does your contient weigh in on its amount of gravitational pull. This food for thought provides the perspective on how gravity may have shaped the world events that occurred pre-history and history. Found at BBC published 31st March.
• The infrastructure of an opium processing plant ca. 1880's in Bengal, India. Either stick with it or skip to the end to get a perspective on how the drug trade influences economies of today as well as the planned infrastructure for today's drug trade. Found at Edible Geography published April 1st.
• Everyone go out and demand from your local newspaper/magazine stand to order a subscription to SOILED a new journal for designers to share ideas about current events. If that fails you could always download the pdf version here. This issue shares information about earth, pollinators and social justice's . 
• To end this part of FFP here is an article that was sent to me by a studio colleague today regarding Walmart's in Chichago that are going smaller.  Written by Bob Niedt from the Syracuse Post published 8th April. Opposed to being referred to as a big box store it will become part of urban infill. Similar to the complex that houses the Target in Williamsburg, Brooklyn. 

ethnographic landscapes.

From my home town of NYC I can hop on a bus that departs the NYC Chinatown going off to the Boston, Philadelphia, and Washington DC Chinatowns. This is a pretty unique way to link similar cultural landscapes together while conquering a topographic distance.
While I realize that in most towns and cities there are other Chinatowns, "Little Italy's", and strong Irish pride districts, I am not aware of any other ethnographic landscape that is linked together by a bus. Returning from Boston I have a new appreciation for the various Chinatown heritage interpretations there are along the Eastern seaboard.
I will be going on a studio field trip, at the end of the week, to Toronto Canada and I have been told that there is a Chinatown there as well. I am hoping if time permits it, to view the Toronto Chinatown landscape with the intention of comparing and contrasting the Chinatowns in Boston and NYC.

edit-
The trip out to Toronto, while very informative, was on too rigid a time schedule to have any daylight hours to sight see. So, I guess this thought will have to be put on the back shelf for now!

d.i.y street art.

Some structured procrastination courtesy of my amazing facts.
what other holes can we fill?

reading a landscape.

Now that I have had time to synthesize some thoughts on my excursion to Boston allow me to introduce the term cultural geography and then use sites in Boston as examples. Where psycho-geography is the locals tool to be released from the monotony of society; cultural geography is a scope that anyone has access to, to read the landscape.
One of these terms is cultural landscape. A cultural landscape is defined by the National Park Service as "a geographic area, including both cultural and natural resources and the wildlife or domestic animals therein, associated with a historic event, activity, or person, or that exhibit other cultural or aesthetic values." If every landscape can be read see: cultural landschaft pt.two, then every landscape you enter has some sort of cultural significance making it a cultural landscape. Essentially this goes along with the situationist theories for breaking up the monotony for the every day citizen, but a visitor applies the lens of cultural geography to a place.
After this article I would implore all who read it to step outside and use psycho-geography to view the cultural landscapes that make up your neighborhoods. The four categories of cultural landscapes are described below.

• The historic site type is a place that has a historic significance associated with it, Gettysburg, Pa. or the State House of the Province of Pennsylvania otherwise known as Independence Hall in Philadelphia Pa. 
• The next type is a historic designed landscape, this is a property that had a notable landscape designer or even a home owner who design the exterior. Spaces designed by Lancelot 'Capability' Brown, Garett Eckbo, and the homes in Dyssekilde, Denmark are some examples. 
• The historic vernacular landscape are places and spaces that the locals have designed themselves using the information passed on through the generations. Information such as climate and local resources reflect certain land use patterns. An example of this is the vernacular homes of Norway, or terraced agriculture in China, or any of the US National Parks. 
• The final type is an ethnographic landscape which is a place that has traditional cultural values  reflected through design to meet the wants of the a demographic in the area. These are areas where the citizens that make up the majority of the demographic imprint on the landscape the heritage they collectively celebrate. Examples of this can be restaurants and landscape/architectural details features, monuments. In Syracuse, NY- Lodi Street is a district that is known for its strong Italian population and it reflects this through Italian markets and bakeries.

Using the visit I recently made to Boston the examples to graphically represent the four types were not hard to find. After all, a lot of our American history occurred in spaces that are being used by a new population of people. A lot of the sites in Boston have undergone an adaptive reuse to fit the needs of decades gone by and, as the beat goes on, people will continue to add layers to the city.

The above graphic is my situationist map unbeknownst to me at the time I walked in a spiral direction, as I recorded
 the experience of being in a place. Below is my analysis of the various areas I walked through. 

• Government Center Station -- Number One-Historic site/Designed 

This graphic represents the first place I entered when I exited the Government Center train station. My mind began to frenzy as I marveled at the Escher-esque government institution, City Hall. As for my interpretation: the architecture has successive jutting angles that make up the floor plans for the interior rooms this represents the laws and regulations that provides order. The reason why this building reminds me of work by Escher similar to this one, is because the inverted architectural details represent that the rules, laws and regulations, under certain circumstances, can be manipulated in favor for the citizen.

• Union Street -- Number Two-Historic site/Ethnographic 

This represents what I walked into next as I left Gov't Cntr and entered the Union Street district. I would interpret this space as a lively sanctuary for memories of the past. American History, memorials, and Presidential happenings are a few of the features that make up this culture-storical landscape. The area is also notable for a few more reasons: the first is that this is the site of the oldest restaurant in the United States, the Union Oyster House- a site on the National Register of Historic Places.  The area is also home to the beginning of the Boston Big Dig, a project that involved re-routing a major thru-way  underground. The project was constructed during the course of 30 years. At street level a series of parks reflect the current users' needs reflected through designed using heritage and palimpsest as design precedent. A final facet of this area is that the day I walked through it an open air market was going on, full of fresh fruit, vegetables and the quintessential Boston seafood. 

• Skyline -- Number Three-The Cultural Landscape 

This is the view of North Boston from across the waterway. Its awe inspiring to look at a sky line and imagine all the stories people can recall from being inside the areas hidden behind the urban wall. Another aspect to think about is that while you are viewing the city from the distance there are current events that are going on where you could have possibly added to the layers.

• Street Art -- Number Four-Ethnographic 

Number four is a compilation of street art I encountered as I walked from North Boston to South Station. Street art is an amazing story anyone can read and gain an understanding of what a minority of people want the rest of us to know. While I find that well done street art is a wonderful addition to the public realm not everyone would share this opinion about any type of street art, well done or otherwise. 

• South Street -- Number Five-Historic site 

The South Street station is a regional transportation hub in Boston, the building is also on the NRHP for among other reasons; in 1910 it had the most ridership of any other train station in the United States.

• Chinatown walk -- Number Six-Ethnographic/Vernacular 

More street art I walked past as I left South Street and head into the Historic Leather District- shortly there after into Chinatown. 

• Fenway -- Number Seven-Ethnographic/Historic site 

This final area is focusing on the Fenway ball park district, I was in a rush to visit a buddy who worked in the approximate area so I took the T. The first thing I saw were the allotments at the Fenway Garden Society- the first Victory Garden in the US, an American version of the Dansk allotment garden. Then as I walked further into this district you begin to lose sight of the Citgo sign, a unique landmark in Boston. Finally I entered the district that flanks the Fenway ball park. This is an interesting district because it is not so much a celebration of cultural heritage, rather it is a mosaic of buildings that centers around our National past time.